he Grim at Southwark Playhouse mixes sharp comedy with uneven horror. The dynamic between Shaun and Robert brings plenty of laughs, while Harry Carter’s explosive arrival as Jackie Gallagher steals the show. The 1960s setting feels unnecessary, and the supernatural elements don’t fully land, but there’s real potential for this to grow into something special.

Fantasia Orchestra opened their Smith Square Hall residency with a birdsong-inspired programme that proved both cohesive and emotionally rich. Elizabeth Watts stepped in with just 24 hours’ notice, delivering a remarkable performance that anchored an evening spanning Vivaldi to Messiaen, all unified by themes of nature, flight and voice.

⭐⭐⭐⭐⭐ If you love riddles, cryptic crosswords or the kind of magic that makes your brain do a little double-take, then The Enigmatist  at Wilton’s Music Hall is an absolute must-see — five stars without a moment’s hesitation. This isn’t just a magic show; it’s a cleverly engineered puzzle adventure, and David Kwong has such a deft hand at blending wordplay with wizardry that the whole evening feels like a gentle (and yet very enjoyable) workout for the mind. Wilton’s itself

Christmas cheer meets Celtic sparkle in A Fairytale for Christmas, now delighting audiences on tour. With Riverdance-inspired choreography, moving moments like O Holy Night and Danny Boy, and rousing singalongs, the show radiates festive warmth. The talented cast feel like old friends sharing a joyful, feel-good Christmas celebration for all ages.